meet stud, the shivers’ new mascot.

I’ve spent a lot of my time recently listening to the New York City based band, The Shivers. We’ve featured both their 2008 release, Beaks To The Moon, and 2004 release, Charades, on the site before, and every so often I go through a phase where I only want to listen to their music.

Keith Zarriello, The Shivers front man, has some of the most honest and poetic music you’ll ever come across. I absolutely love it. As I mentioned in a previous post, they do a great job of balancing the familiar with the unfamiliar both lyrically and instrumentally. Their song “Beauty” off Charades is one of the most beautiful and meaningful songs I’ve ever heard. Newer songs off Beaks to The Moon are fantastic, as well (especially “Lonely Road,” “Feather,” and “Love is Good.”)

The Shivers have a CMJ show coming up Oct 23 at Pete’s Candy Store, and shortly after will be heading off to the west coast for a small tour. I have yet to see them live, but hopefully that will change in the not too distant future. Check out their Myspace for the tour dates. And don’t forget to support this great band, they are among today’s best independent acts.

The Shivers – Beauty

The Shivers – Lonely Road

Beaks to the Moon (2008):

The Shivers – Feather

The Shivers – Love Is Good

Charades (2004):

The Shivers – L.I.E.

The Shivers – SoHo Party (This is an example of the diversity I’m talking about. And the song turns into a really cool Cat Stevens cover. Can you dig it?)

Phone Calls (2007):

The Shivers – The Road

Site| Amazon | iTunes | Myspace | 911 Truth (this ones for you, Keith)

Over the past few weeks I’ve been listening on and off to Roommate’s 2008 release, We Were Enchanted. The album is a little on the darker side, and reminds me somewhat of John Vanderslice’s albums, such as Time Travel is Lonely and Emerald City. Both artists give off a paranoid feeling at times, but Roommate is even more eerie.

Truthfully, I’m a bigger fan of their lighter toned songs like “Day After” (half way through) and “Night (Rhombus Cover).” Some of the songs that are more rigid are less appealing to me, similar to how I feel about some of Vanderslice’s work, but overall I would still recommend you check out the album.

Kent Lambert originally started Roommate as a solo-project in 2000, and after moving from Iowa City to New York, recorded an EP, Celebs. Soon after 9/11 he relocated to Chicago, and has been there ever since. In 2004, Lambert formed a live band with a variety of members–you can see the list on their Myspace. Members of the live band change based on availability, playing instruments such as musical saw, banjo, violin, theremin, Buchla Music Box, and bassoon, as well as hand percussion and traditional rock instruments.

For more on the band and recording check out Chicago Reader.

We Were Enchanted (2008):

Roommate – Night (Rhombus Cover) – This doesn’t represent rest of band’s music.
Roommate – Day After (wait through intro)

Songs The Animals Taught Us (2005; re-released 2006):

Roommate – Tuesday

Site | Amazon | iTunes | Myspace

Bonus:

Emerald City (2007):

John Vanderslice – Kookaburra

For those who like Sufjan Stevens, The Shins, Rogue Wave, and Jeremy Messersmith I highly recommend checking out the band Aloha. Their albums have been in my iTunes for a while, but it’s not until the last week that I have given them the listen they deserve. Their 2007 release Light Works has a really nice sound.

The 7 track LP is a lot less experimental than the band’s other releases, which they’ve built their name off, but I personally like it more. It is really mellow, and a perfect prescription for productivity. Truthfully, there are only a few times that you are going to ask “what song is that?” Light Works is not an album set out to impress, meaning you’ll want to listen to it in its entirety. Like The Album Leaf, you probably won’t grow an attachment to any particular song. The most rememberable songs include “Body Buzz” “The End,””Gold World” and “Passengers.”

Aloha has a really interesting background. They first began to form in 1997, and the four bandmates, Tony Cavallario, Matthew Gengler, Cale Parks, and T.J. Lipple are scattered across the east coast, hailing from Cleveland, Brooklyn, Rochester, and Washington DC. Even though they live in different places they manage to get together to make music. I think that’s really cool. Some bands give off the impression that they formed because it was convenient. However, it can be restricting to allow location to be a collaboration barrier. If each of these guys wanted to make their lives easier, they could probably just start up their own bands in their selected cities. They don’t settle for that though, and are so passionate about what they do, they will travel whenever and wherever to make music. People who know Aloha’s history like their music that much more.

Aloha is signed to Polyvinyl records.

Light Works (2007):

Aloha – Body Buzz

Aloha – The End

amazon | itunes |myspace

This is amazing. David Byrne (of Talking Heads fame) takes an old building in New York and hooks up an organ to different pipes and beams in the building. The sound reverberates throughout the entire building creating a giant sound installation. There are no amplifiers; all the sounds are made by the little motors vibrating the parts of the building via the organ.
Check out Byrne’s website for more information.
MP3: Talking Heads – This Must Be The Place (Naive Melody)

Pitchfork.tv put this music video by the Books up on their website Friday. Though this track is from their 2nd full release “The Lemon of Pink“, I had just seen this video from 2003 for the first time. I was interested in seeing how the Books would make a music video with their type of music. Would it be a bunch of video samples strung together to form some sort of coherent piece with a few shots of the band interdispersed? or something just as unconventional as the music itself. It turns out it was closer to the former. With juxtaposed shots of Suzuki method violin recital and the occasional clip aligning itself to the rhythm of the music the video has its moments where everything comes together. I think it’s a great music video.

MP3: The Books – Tokyo

This is a stupid From Thought for Food
MP3: The Books – Motherless BastardFrom Lost and Safe

MP3: The Books – It Never Changes to Stop

Website | Tomlab Records

I stumbled upon Grouper randomly perusing some blogs I keep in my bookmarks. I downloaded it on a whim as it was described as ambient/folk/shoegaze. Interested in seeing how folky shoegaze would sound, I listened to the first track and knew that I had found something special. “Dragging A Dead Deer Up A Hill” is the 3rd album from Portland based musician Liz Harris. To define her music as folky shoegaze is incomplete. Her songs exist as hazy memories, lacking in detail, yet full enough to trigger a nexus of emotions difficult to describe. The instrumentation is mostly limited to layered vocals, electric piano and down-stroked guitar with the production quality weaving in and out of lo-fi. The sonic world that the album creates has a quiet intensity slowing submerging the listener.

I’ve taken a message from the MySpace page explaining her sounds better than I ever could:

dragging a dead deer in my ears feels like the relief of an unknown flickering series of burdens, dawning in my marrow moment a living freedom. lifted.

I recommend Grouper for fans of Low, Mark Kozelek (Sun Kil Moon, Red House Painters), and beautiful female vocals.

MP3: Grouper – Disengaged

MP3: Grouper – Heavy Water/I’d Rather Be Sleeping

MP3: Grouper – When We Fall

Website | MySpace | Type Records

I’ve been listening to the Shivers music for several years now. They do a great job balancing the familiar with the unfamiliar. The diversity of their albums and songs take me from something that I feel comfortable with to something that is new, angst, and generally unpleasant. But then, by the time it really starts to bug me, it’s gone. It becomes easier to breath again.

I think that it what draws me to the Shivers so much. The singer/guitarist of the Shivers, Keith Zarriello, has proven that he knows the difference between what is pleasant to the ears and what isn’t. When it comes to folk melodies, The Shivers are among the best; they very rarely mess up harmonic instrumentals. So why intentionally veer from that into uncomfortable, loud clashing?

[vimeo 1090710]

That’s the beauty of The Shivers. They are musicians who simply don’t care what you want. They know, I would think, that some of their music makes them lose listeners. Those listeners who enjoy their mellow music aren’t going to necessary like their more experimental songs. But the Shivers are okay with that. They are not going to alter their vision to sell more records. By not allowing the listener to influence their music, they are able to stay true to their music, and say and play what they want. Think about how many songs about pain are so pleasantly played instrumentally. Is that always what pain feels like? Keith knows it’s not.

Sure, this could sound like justifications for bad talent. Once you listen to the Shivers music though, and their new album, Beaks to the Moon, you will realize that’s not the case. The Shivers make beautiful, honest music. At times, the truth, or at least Keith’s truth can hurt or be undesirable, but this album is wonderful to listen to. In my opinion it has a perfect balance.

Beaks to the Moon (2008):

The Shivers – Lonely Road

The Shivers – Love Is Good

Album- Charades (2004)

The Shivers – Beauty

The Shivers – L.I.E.

The Shivers – SoHo Party (This is an example of the diversity I’m talking about. Listen through whole song)

Album- Phone Calls (2007)

The Shivers – The Road

The Shivers – Half Invisible

The Shivers – New Direction

Site| Amazon | iTunes | Myspace | 911 Truth (This ones for you, Keith)

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